玛格南大师班香港工作坊（截止日期及细则见一楼）

收到一些同学的悄悄话，有几个问题解答一下：
1.作品提交截止日期2010年12月31日
最后通知日期：1月2日
APPLICATION DEADLINE: FRIDAY, DECEMBER 31, 2010
ACCEPTANCE NOTIFICATION: SUNDAY, JANUARY 2, 2011

2.现场会有翻译

3.是直接发作品给老师申请，不是给我

4.近日会给一个全中文的细则给大家。

谢谢关注！

Alex Webb和Rebecca Norris Webb 大师班——香港 - [玛格南大师班]
大师班内容

马格南摄影师Alex Webb和他夫人Rebecca Norris Webb将在 香港举办一个两天的大师班 ，同时面对专业摄影师和摄影爱好者。

这两天的工作坊主要的内容包括 审查，讨论，演示 学员作品 以及编辑作品，帮助摄影师发现并明白自己独特地观看世界的方式。工作坊还将专门针对和帮助具有长期拍摄项目的摄影师，讨论项目的执行状况，现有作品的讨论和编辑。每个参与的学员都将得到一定时间的单独指导。

课程结束后，部分学员的作品将发表在 Alex and Rebecca’s TWO LOOKS 博客上得到推广和与全世界摄影师交流的机会。

本次大师班的另一个亮点是所有的参与者将第一时间目睹由光圈即将推出的 Alex Webb的新书《The Suffering of Light》，一本收集了他近30年的彩色作品的摄影专辑。

如何申请

请将十张个人作品发到Rebecca的邮箱 rebeccanorriswebb@yahoo.com

格式：jpg（72dpi; 长边8英寸）
作品更名为申请者本人姓名并编号, 例如：张三（zhang_san01.jpg）
最好是来自一个或两个拍摄的专题，如果没有则选10张你个人觉得最好的单张照片

大师班费用

费用：400 USD／2700 RMB （如果只参加一天的话费用是300美金）

申请截止日期2010年12月31日，入选者将在2011年1月2日之前得到通知，并在2011年1月5日之前支付本次学习费用。

玛格南图片社现任主席Alex Web及其夫人Rebecca Web，也是我多伦多工作坊的老师。即将在香港开办一个短期的工作坊，具体内容请见英文部分。承蒙他们信任，我将协助组织这次工作坊，如果有任何疑问，可以随时与我联系。

玛格南官网上的细则：

http://events.magnumphotos.com/workshop/hong-kong-two-day-master-class

不赘言，我的多伦多学习经历链接在这里，个人认为，工作坊给我很多关于摄影的思考，并在图片编辑和图片故事方面得到提高。

http://www.doyouhike.net/forum/photo/425617,0,0,1.html

HONG KONG: TWO-DAY MASTER CLASS
Alex Webb and Rebecca Norris Webb
Sunday, January 16, 2011 -- Monday, January 17, 2011
Class limit: 17 students
Fee for Sunday only: US$300
Fee for both Sunday and Monday: US$400
To reserve a spot in the workshop: Acceptance by Alex and Rebecca and then nonrefundable deposit of equivalent of US$100
Workshop producer: Yvonne Liu
Sunday: 9:30 – 18:00
Monday session: 11:00-16:00

Through group portfolio reviews, discussions, presentations, and an editing exercise, this one-day or two-day intensive workshop will help photographers begin to understand their own distinct way of seeing the world.

A workshop for serious amateurs and professionals alike, this one-day or two-day workshop will begin on Sunday morning with reviews of each photographer's work, a process that will serve as a jumping off point for a larger discussion about various photographic issues. Alex and Rebecca, a creative team who often edit projects, books, and exhibitions together (including their joint book and upcoming museum exhibition, "Violet Isle: A Duet of Photographs from Cuba", will explore with the class a series of topics, including the process of photographing spontaneously and intuitively; how to edit photographs intuitively; the practical realities of the magazine and art worlds; the emotional and psychological implications of working in color vs. black and white; the difference between images in a book and images on the wall; and how long-term projects can evolve into books and exhibitions. Participants should be prepared to ask questions, as these concerns will help shape the ultimate direction of the workshop.

The end of the first day’s session on Sunday will be a presentation, called “Together and Apart: A Slide Talk by Alex Webb and Rebecca Norris Webb.” Alex and Rebecca will present a variety of work, including a selection of photographs from their joint book, Violet Isle: A Duet of Photographs from Cuba. They will discuss other bodies of work as well, including some books they’ve worked on together –– such as Istanbul: City of a Hundred Names (photographs by Alex; photo-edited by Rebecca) –– and some books they’ve worked on individually, such as The Glass Between Us (Rebecca’s first book), which explores the complicated relationship between people and animals in cities.

The optional Monday session will feature presentations that address the process of working in a series on a long-term projects, including how to sequence and shape a body of work to bring out the strength of a project, how to work with a designer on the layout and cover of a book, being on press with a book, the relationship between text and images in a book. There will also be the presentation: “Street Photographers and Others.” Optional: participants can bring up to 40 small prints of one or two series, or from a long-term project they are passionate about.

TO APPLY TO THE WORKSHOP: Please email 10 small jpgs (72dpi; 8 inches across on the longest side), ideally from one or two series, or from one long-term project. For photographers who don’t work in a series, please send a selection of your strongest work. Please email to Rebecca at: rebeccanorriswebb@yahoo.com
After acceptance to the workshop, Yvonne Liu, the workshop producer, will let you know how to pay for the workshop.

PLEASE BRING TO THE WORKSHOP:
All participants should bring about 30 PRINTS (Please bring prints, NOT digital files. It's fine if these are small work prints, (around 4x6 or 5x7 or 8x10 inches). The main focus is the image, NOT the quality of the print. But it’s also fine to bring larger finished prints if you have them.) Alex and Rebecca recommend bringing prints from one or two series, or a selection of images from a long-term project. If you don’t work in a series, bring 30 of your strongest images. They would like to see work that represents who you are as a photographer, not just work done to please an editor or teacher.

For those attending both Sunday and Monday sessions: It’s optional to bring up to 40 small prints from a single long-term project.

NOTE ABOUT THE PRINTS FOR THE SUNDAY PORTFOLIO REVIEW: Photographers should take the time to create as strong a selection of their photographic prints as they can have for the portfolio review on Sunday. However, Alex and Rebecca can advise photographers at any level or from any photographic background –– from beginners to photographers with many years experience, from magazine photographers to art photographers, from serious amateurs to professionals.

THE WORKSHOP INSTRUCTORS
Alex Webb is best known for his vibrant and complex color work, especially from Latin America and the Caribbean. He has published eight books, including Istanbul: City of a Hundred Names, and his ninth, a survey book of 30 years of his color photography, The Suffering of Light, will be published next spring by Aperture. Alex has exhibited at museums worldwide including the Whitney Museum of American Art, the High Museum of Art, Atlanta, and the Museum of Contemporary Art, San Diego. His work is in the collections of the Museum of Fine Arts, Boston, the Metropolitan Museum of Art, NY, and the Guggenheim Museum, NY. Alex became a full member of Magnum Photos in 1979. His work has appeared in National Geographic, the New York Times Magazine, Geo, and other magazines. He received a Guggenheim Fellowship in 2007 for continuing working in Cuba.

For the past decade, Rebecca Norris Webb has been exploring the complicated relationship between people and the natural world. Originally a poet, she has shown her photographic work internationally, including at the George Eastman House Museum and Ricco Maresca Gallery, New York. Her first book, The Glass Between Us, was published in 2006, and her second book, Violet Isle: A Duet of Photographs from Cuba (with Alex Webb), was published in 2009. Her photographs are in the collections of the George Eastman House Museum, Museum of Fine Arts, Boston (upcoming), and the Provincetown Art Association and Museum. Rebecca’s work has appeared in Time, New Letters, Orion, and other magazines. Rebecca’s third book, My Dakota, will be published in 2012, and exhibited at the Dahl Arts Center in Rapid City, South Dakota, fall 2012.
Alex and Rebecca will have a joint exhibition of their Cuba photographs at the Museum of Fine Arts, Boston, from May 2011 to January 2012.

LINKS FOR ALEX AND REBECCA:

Alex’s and Rebecca’s website: http://www.webbnorriswebb.com/

Alex’s and Rebecca’s “Two Looks” blog: http://webbnorriswebb.wordpress.com/

Radius Books: http://radiusbooks.org/

Ricco Maresca Gallery: http://www.riccomaresca.com/

Magnum Photos: http://www.magnumphotos.com